The Making of a Comic

November 29, 2022

This is the project that I am writing for Aerith Hamper.

There are two majors in this script: Mariachi and Art major students. in this script.

Check back regularly to see my progress.

Comic Strip 1

Below is the idea of how the first script will go and match the comic strip. 


Mariachi major 


Alberto: *In mariachi room and practices*

Kyoko: *enters mariachi room* Yup I knew I’d find you here. You’re always in here practicing.

Alberto: “Puts instrument down* I got to get better at this.

Kyoko: You practice every day during lunch and at home too. Let’s go hang out and do something together for once.

Alberto: hmmm, Fine. But you owe me something. 

Kyoko: I got you on that. *Shows an art piece saying “touch grass”*

Alberto: * makes -_- face*

End of Scene 1

Below this statement, these are my ideas for the next scene that should match with the comic strip for scene 2.


Brainstorm Ideas for the next scene 

(Alberto takes his instrument everywhere??)

  • Going out for lunch 
  • Doing homework together 
  • Watching Alberto perform at a concert
  • Go to one of Alberto’s Gigs(Could be at a birthday party, wedding, funeral, etc)
  • Alberto posing for a drawing from Kyoko 
  • Going out during their free time 
  • Watching a movie together 
  • Going to a party
  • Going to an art gallery (Maybe have Alberto break something and they run)

Tips to Creating and Continuing a Short Story

Character Creation

When it comes to character creation, it is important to find characters that have a purpose in the story. They should reflect your interest and views. It’s acceptable to have both main characters and side characters. Although they are side characters, make them memorable like the main characters. Give them a reason to be included in the story. Thinking of family, friends, or memorable people in your life could be a good way to come up with characters and their personality. Come up with their motivations. Why are they in the story? What will their journey be? 

Make sure your protagonist has flaws. They aren’t always perfect. A character arc would be recommended since complex characters change over time. You don’t want them to be boring. With an antagonist, give them motivation. What are their goals and why? They should create a dilemma for the other characters. I would recommend your antagonist to be more powerful than the protagonist. Readers want the good guys to win, but make it entertaining. Make them develop the skills, items, and find allies in order to defeat the antagonist. Not all stories need an antagonist. Sometimes there could only be a conflict, so finding a solution to your situation can also create an interesting story. 

Memorable characters should have important roles. What makes them memorable? Why will they be memorable? Questions like these would help you create a character that will make the readers remember. Giving them a specific quality can help readers recall who they are, even if they are side characters. 

How to Continue Character Development

Most of the time, characters are created and introduced throughout the story. They’re usually finalized during the brainstorming process, but thinking of including more characters as the story progresses is totally okay. The same ideas apply to them, but don’t make it random. What could their roles be in the story and why? You don’t want too many characters to the point where the reader won’t be able to keep all characters in their heads. Try to limit your choices so the story isn’t packed with characters. 

If you decide to add more characters after the brainstorming process, think of ways it can affect the story. Will it change the outcome of the story? Can it affect the other characters? If you have a set story and don’t want to change it, then I would recommend keeping the characters you have unless you have a way to keep the story the same, or slightly change it so it doesn’t change the course of the story.

-Tips for Visual Character Design

Visual character design starts with defining the basic facts about who your character is. Questions like what is their personality, their purpose in the story, what colors do they like, what weather do they like to be in, or even the kinds of people they get along with can be helpful. While these don’t seem like things that you’d need to design a character’s appearance at first glance, each serves a purpose in a character’s color palette, hairstyle, clothing, culture, and relationships with other characters.

Let’s look at some examples in media.

All rights reserved to Universal Pictures

The Minions are a well-known example of a character that is constantly full of energy and excitement. Some features that make this possible include all the round shapes in their design. Their bodies are rounded out rectangles, their goggles are circles, and even their hands are rounded at the ends. 

While these shapes pose an important role in making such an approachable character, the colors also change how you see these characters. The bright yellow represents a sense of happiness and excitement. However, yellow can often represent deceit or a guise to hide true intentions or meaning. For the Minions, this represents how despite their appearance, they mean to find some evil cause to serve under. 

Let’s look at one more example, a webcomic this time. You may have heard of Rachel Smythe’s ‘Lore Olympus’, a webcomic about the story of Hades and Persephone. While any reader can go through the story and appreciate the art, you might not always stop to acknowledge just how incredibly thought-out the character designs are. Let’s look at the main character Persephone’s design.

Rachel Smythe
Rachel Smythe














At the beginning of the story, Persephone is seen as an innocent goddess, so new to the world that she is oblivious to every small detail. In the first image, you can point out some major differences compared to the second image, including the lighter clothes Persephone tends to wear as well as a softer expression. In the second image, a representation of Persephone’s character later in the story, she comes across as much more menacing, almost intimidating. While the background elements play a part in this, just subtle changes to her expressions, clothing color, and sclera of her eye becoming a deep red almost changes her character as a whole while still maintaining the base of the same person. 

While there are more steps to designing a character depending on the design, these are just a few of the things you should take into consideration when designing the visual appearances of your characters, whether it’s for a short story or a comic. 

Click here to listen to Aerith Hamper walk listeners through her process.

Making and Writing a Webtoon: With Amelia Barnum

Amelia Barnum is a Visual Animation major at LVA. When asked, what inspired her to write and draw a webcomic, Barnum responded, “ Personally, I’ve just always been interested in comics and storytelling, and I thought I guess I’ll just get started because if you just wait around planning forever, you’re never gonna get done. So just bust it out and show people what you can do.”

While Barnum has only been working on her original webcomic for a few months, she is hard at work to keep herself on time. “I have 12 episodes out now, but I’ve been trying a whole lot to keep up on schedule,” said Barnum. 

“I basically took a month to come up with my whole story and planning everything out. Sometimes when I look back on it, I should have taken more time to figure out what kind of dialogue I wanted to use and how the character designs should change.” Barnum said, as a final reminder to take your time, and to warn against rushing your craft.

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